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Anais Nin Quotes(https://friendstamilchat.in/forum/proxy.php?request=http%3A%2F%2Fupload.wikimedia.org%2Fwikipedia%2Fcommons%2Fa%2Fab%2FAnaisnin.jpg&hash=4aba4c4d5c0e8ccb377c994a65e50582149b6b19)
A French-Cuban author, based at first in France and later in the United States, who became famous for her published journals, which span more than 60 years, beginning when she was 11 years old and ending shortly before her death. Anais Nin was a French-Cuban author, based at first in France and later in the United States, who became famous for her published journals, which span more than 60 years, beginning when she was 11 years old and ending shortly before her death. Nin is also famous for her erotic literature and short stories. A great deal of her work, including Delta of Venus and Little Birds, was published posthumously.Here are some famous quotes by Anais Nin.
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Dreams are necessary to life.
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What I cannot love I overlook.
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Violence is a symptom of impotence.
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People living deeply have no fear of death.
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When one is pretending the entire body revolts.
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The only abnormality is the incapacity to love.
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Life shrinks or expands in proportion to one's courage.
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We travel some of us forever to seek other states other lives other souls.
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I postpone death by living by suffering by error by risking by giving by losing.
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When you make a world tolerable for yourself you make a world tolerable for others.
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Beware of allowing a tactless word rebuttal a rejection to obliterate the whole sky.
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And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.
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[Families] are made to make you forget yourself occasionally so that the beautiful balance of life is not destroyed.
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I cannot concentrate all my friendship on any single one of my friends because no one is complete enough in himself.
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I don't tell the truth any more to those who can't make use of it. I tell it mostly to myself because it always changes me.
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A war regarded as inevitable or even probable and therefore much prepared for has a very good chance of eventually being fought.
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Each friend represents a world in us a world possibly not born until they arrive and it is only by this meeting that a new world is born.
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Dreams pass into the reality of action. From the actions stems the dream again; and this interdependence produces the highest form of living.
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She lacks confidence she craves admiration insatiably. She lives on the reflections of herself in the eyes of others. She does not dare to be herself.
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I will not be just a tourist in the world of images just watching images passing by which I cannot live in make love to possess as permanent sources of joy and ecstasy.
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It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene and as if by magic we see a new meaning in it.
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There is not one big cosmic meaning for all there is only the meaning we each give to our life an individual meaning an individual plot like an individual novel a book for each person.
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I was thinking of my patients and how the worst moment for them was when they discovered they were masters of bad or good luck. When they could no longer blame fate they were in despair.
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One must be thrust out of a finished cycle in life and that leap is the most difficult to make-to part with one's faith one's love when one would prefer to renew the faith and recreate the passion.
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Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness of withering of tarnishing.
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Love never dies a natural death. It dies because we don't know how to replenish it's source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness of witherings of tarnishings.
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There are very few human beings who receive the truth complete and staggering by instant illumination. Most of them acquire it fragment by fragment on a small scale by successive developments cellularly like a laborious mosaic.
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To change skins evolve into new cycles I feel one has to learn to discard. If one changes internally one should not continue to live with the same objects. They reflect one's mind and psyche of yesterday. I throw away what has no dynamic living use.
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There were always in me two women at least one woman desperate and bewildered who felt she was drowning and another who would leap into a scene as upon a stage conceal her true emotions because they were weaknesses helplessness despair and present to the world only a smile an eagerness curiosity enthusiasm interest.